2024 Artists Network
G.K. Chesterton wrote, “The function of imagination is not to make strange things settled, so much as to make settled things strange; not so much to make wonders facts as to make facts wonders.”
Artists of all types are tasked with inviting their viewers and hearers to see and listen. To make facts into wonders. Art is uniquely suited to enrich our prayer lives, catalyze renewed engagement with the Bible, foster empathy, enhance our spiritual perception, challenge our beliefs in healthy ways, and bring us into more intimate contact both with our Lord and the world. It invites us to slow down and gaze deeply. Art communicates, questions, and holds accountable. It stirs and reveals.
The arts in all their forms are good gifts from God, intended to be cultivated and employed, communicating God’s message for humanity. As artists, we need to mindfully consider how to practice the habit of seeing and listening on our own in order to create. At the 2023 gathering of the Artists Network, we will approach this way of contemplative seeing through the lenses of music, painting and visual arts, film, literature, and more.
What Network Participants Are Saying
- "[The Artist’s Network] is as much educational as it is practical, because what we learn here - we can adapt in our lives. The way we look and understand art, the way we create. The connections between artists who know Christ are so meaningful!"
- Eglė Tamulytė, Artists Network, Lithuania
- "Through ELF’s Artists Network, I came to appreciate the gift of creativity God has given me… I got inspired to try to make art a little more viable in church as I recognized that it is an excellent way to reach others, and it also allows us to constantly recall biblical truths not only by words but something more. I’d love to incorporate that in my local church."
- Zofia Rakowska, Artists Network, Poland
Applicants should be artists who are engaging with society or the church. The Network provides a haven where Christian artists gather in community for relationship, spiritual nourishment, deep thinking, professional growth, and strategic possibilities.
2023 Network Programme
Detailed information about this Network's 2024 sessions is not yet available but will be posted in the future. Please review the information from last year for a look at the high quality of instructors, teaching, and content available in this network:
Author Madeleine L’Engle wrote, “In art we are once again able to do all the things we have forgotten; we are able to walk on water; we speak to the angels who call us; we move, unfettered, among the stars.” For L’Engle, there was no distinction between her Christian faith and her art; the disciplines that strengthened one, strengthened the other, and the distractions and temptations that drew her away from one weakened her in the other. In this session, we will consider what it means to be a Christian artist – one called to love his neighbor and be a fruitful member of the Body of Christ – and glimpse a vision of a reality in which we may thrive as artists and as disciples of Christ.
One of Professor Albert Einstein’s most surprising quotes was, “Imagination is more important than knowledge.” Was he correct? Clearly, he understood that imagination and all of its related cousins, like creativity, ideation, innovation, and change, were indispensable to virtually all things related to living life to the fullest. This workshop will look at these topics and how they interrelate from the perspectives of Scripture, fascinating innovators, effective leaders, and influential artists of all stripes.
In this talk, Latvian concert pianist Reinis Zarins proposes to survey a handful of contemporary classical composers who are all Christian, and each in their own way seek to express their worldview through their music. The resulting rich variety joyfully affirms the inconceivably abundant content of our faith. This talk will be accompanied by an evening recital that showcases the work of these composers.
For any work of art to be called ‘inspired’ is high praise, yet inspiration can be elusive. What is it that ignites our creativity? Is a breathtaking view essential to start a great painting or is emotional trauma crucial for composing epic music? Do we need to wait for our lives to crumble for genius to spark? By considering a number of unexpected ancient artists, we will look at what inspires us to create.
What are human beings? Just a “random collection of atoms”? A “1% bit of pollution in the universe”? Genetic puppets “dancing to our DNA”? Those are all answers given by well-known atheists and if atheism is true, they’re consistent. But if talk of justice, dignity, and human rights is to work, we need something more than. In this talk, Dr. Andy Bannister will explore the implications of the Bible’s teaching that human beings bear the “image of God” (the Imago Dei)—and show why it is so profound, so vital, and utterly unique.
Whether our art is visual, musical, written, or theatrical, many Christian artists feel detached and out of place in the Church. When combined with many artists’ natural tendency to isolate ourselves within our chosen artforms, we can easily miss our calling to live and create in the community of Christ. Using two of the more collaborative arts as our model, theatre and filmmaking, we will explore what it means to be a community of artists who reflect the heart and purpose of the Acts 2 Church.
All of humanity has experienced spiritual warfare since the creation of man. That is why the sculpture, “Saint George Killing the Dragon” has universal application. More than a legend, “St. George Killing the Dragon” has profound implications for all believers. Targeting the sky, they struggle to climb to the top of the mountain, but the descending dragon attacks them with temptations, requiring the Saints to wear the armor of God and fight. A master sculptor, Liviu Mocan, will share what he has learned from this fascinating image over the years.
Today, more than ever, it isn't easy to reach a consensus on what art is. Formally, aesthetically, and conceptually, art has evolved to a point where the possibility of a definition is being contested, not to mention reaching a common one. This was evident long before technology impacted all areas of life when modern art could still be approached from the paradigm of classical definitions. The close collaboration between experienced artists and visionary engineers in the context of digital culture has produced such radical changes in what we call "new media art" that the very concepts that define the triad "art - art object - artist" are being challenged. The ecosystem that surrounds artistic creation is being reshaped. Embraced with more or less enthusiasm, this genre of art that uses digital technology as the primary tool for producing, presenting, and archiving art has introduced information as the basis of the materiality of the art object. NFTs and art created by robots or artificial intelligence programs go far beyond what we could have imagined and cause stupor even among specialists initiated in the field. Starting from the accepted definitions of traditional art, using a comparative approach with more recent attempts to define new media arts, we will seek answers to the question that haunts us: where is art going?