In The Mind of the Maker (1941), Dorothy L. Sayers argues that artists understand the Trinity better than many theologians do. This presentation explains how and why, outlining the origins of what Sayers called a “Christian Aesthetic.” From participating in photography contests and musical performances during her youth, through her success as a bestselling detective fiction novelist who vacationed with painters, and into her groundbreaking theatrical works (one of which caused the biggest religious scandal in 20th century Britain), we shall explore how Sayers celebrated the cliché-shattering truth of both Christ and creativity.
